Showing posts with label Legacy. Show all posts
Showing posts with label Legacy. Show all posts

Following the Money





Whereby I debate the definition of selling out.






Not my Cat but like the pic...
Yibus know I'm broke, right? That almost three years ago HWMNBMOTI got laid off, and we moped for 4 months and then he admitted he might be ready to train for a real job... so he has been a STUDENT since then, and we've been pretending I make enough for our family of four to live on, but I don't... That is where this story begins... The money is gone... Oh, some comes in every month... about a thousand dollars LESS than I need to break even if there is no water bill (which comes quarterly) or insurance (in February)...





I have a Cozy Mystery contract which provided a SIGNING advance, and then pays a little when I turn it in (got first one in Feb) and when it is published (first of those will be a year from now)... it's a trickle... on the month I GET one, I am okay for the month (except that whole February is insurance month detail), but writing isn't currently making up the difference between my (very good, mind you) day job and what it costs to live in Ann Arbor.





I have my young adult Kahlotus begging for a rewrite (which I will do this summer). And I have my Conspiracy Trilogy from which LEGACY needs just ONE MORE round before trying it out out there... I have Confluence which needs a rewrite... But the problem with ALL these books is they go on the slow road... long meandering sales track...





One of my BuNoWriMo ideas is ALSO that... Medium Wrong is the name (the talk to the dead one I mentioned yesterday)... and it is a lesson in be careful what you pretend to be... one of those cosmic justice teaches us a lesson things... and it is a GREAT story, as I see it... but it ALSO goes on that slow road... and it is ALSO one I really want to get RIGHT and I think it could use a few more months to stew...








If you can see through, why bother?
Because I have an idea that I KNOW I can sell, and sell sooner than later... There is a HEAVY market for trade mystery... my sassy Microbrew based, not-quite-cozy... my agent has expressed interest in the idea... she wants to see it when I have it... and SHE KNOWS editors who do this, who will contract not on the WHOLE POLISHED BOOK, but on a synopsis or outline and three BANG UP chapters (or so—50 pages). Now being ME, I really don't want to shop it until I have the first draft done, but if I could sell something right away that in the immediate term only had to be polished through the first quarter... that would REALLY help my cash flow...



And I have wanted to WRITE this series ANYWAY... I'm excited about it.



The premise: McKenzie MacIntyre (Kenny) tried the real world. She wore a suit, marketed for a software company, married a finance banker and had a son. But when the bottom fell out of the NASDAQ and her marriage fell apart, she decided she wanted a life with more tangibles... she opened a Microbrewery.



I am setting the brewery in Old Town Portland (the old industrial district, where warehouses are now lofts and art galleries mingle with Portland's remaining underbelly). She has an easy friendship (and not a little sexual tension) with her (currently attached) brewer; employees are made up of the Portland standard pierced and painted young artist types, and she has a teenage son whose (uptight but quickly going broke) father thinks a brewery is no place for a boy.





I hate to have money drive decisions I make... I WILL write the other... but I am just thinking it would be nice to have the bread and butter on the table while I wait for the main meal to come... (because the YA WILL pay more in the end... These mysteries sell so easily because people devour them, but they can devour them because each one doesn't cost a fortune (or pay the author a fortune)... and honestly... they are easier for a writer to get right—the audience reads fast and is forgiving... they are still a LOT of work, but the easy spot they fill makes it easier to get it 'right'.








This and Kahlotus by Joris Ammerlaan
Another Though Milling Around



(much more fuzzy) I am flirting vaguely with self-publishing my trilogy that won't fall neatly into YA or adult because of the MC age problem... I am WAITING a bit... If my current agent wants my YA stuff, then I think she will want to take on my full career and she may have strong opinions there—I don't want to burn any bridges and she deserves a conversation. If I end up with a DIFFERENT agent for Kahlotus, I think I will keep the three strands of career separate... Mystery with my current agent, YA published traditionally and this funny, hard to genrify batch I will do independently. I intend to formally edit (I have it on good authority one of my Burrow peeps has her eye on an editing career and I'm willing to bet she'd let me pay her a percentage of what I earn until she's paid). I would also want to pay my buddy Joris, who did my FABULOUS book covers gratis, but if I actually make MONEY using the covers, he deserves to be paid.



I want to do my rewrites though, before publishing the first, so the second and 3rd could be up with just a couple months between...I even have my pricing strategy figured out... I think I could do pretty decent with them.  They are good stories. They just don't FIT easily anywhere.



None of THIS is a sure thing... I'd prefer to sell traditionally... Heck, maybe I will submit Legacy to ABNA next year instead... if only the hook for it was easier... but then there is a lot of help on that front.





The PLAN
(evil cackle)



By May 31: Finish first draft of Cozy 2

June: Write Microbrewery Sassy

July 1-21: rewrite Cozy 2

July 22-August 7: Cozy 2 to peer reviewers. Edit Kahlotus.

Aug 8-21: edit Cozy 2, send to agent

Aug 22- Sept 15: edit Microbrew beginning. Send to agent when she returns Cozy 2

Sept 16-30: final polish Cozy 2 (turn in Sept 30)

Oct. One of rewrites

Nov. Medium Wrong

December Start Cozy #3



Now all this could change. So far this year on plans, I have missed an editing month (well, 2 really) because this Cozy has taken a lot longer to write than I thought, but I've done okay... Other goals all met.



And if ANYWHERE along this line someone who might lead me to money makes a request, I will jump... because while I dislike hoops or being told what to do, writing for a living is MUCH less of that than anything else I've ever done, so I will take it until I make it...

Legacy Lunacy

So you finish editing a book ahead of deadline, feel pretty darned good about the accomplishment and the man appears with the much awaited question...



You've just edited the next best selling Cozy Mystery! What are you going to do NOW?!


You know the answer right? Disneyland, ne?



Well not if you're ME, because I am NUTS. Wanna know my answer?



I AM EDITING ANOTHER BOOK!


I realize that if any of you came after me with men in white coats, it wouldn't be difficult to have me committed, but you see... it's like THIS:







November: NaNoWriMo (translation: booked)

January: Amazon Breakthrough serious prep (translation: booked)

December: Address any Cozy changes by agent.



So if I want something CLEAN for Amazon, NOW is the time.





My PLAN



Come on... you know me by now. There is ALWAYS a plan!



Now the advantage of Legacy, is it was CLEANED once, so that first step... making it readable... isn't necessary. So I have currently started the 'read with notetaking piece'.



Funny. I am only 20 pages in (though I DID read the feedback I got from 3 readers 'back then') and I have a couple fill-ins for 'holes' already. I definitely am a believer in the 'let it sit and come back fresh' thing.



My intention is to MAKE the small changes and make NOTES for the big changes, and then in December, after the Cozy gets cleaned, come back and do the big ones.



I'm not convinced LEGACY will be my ABNA... in fact because it is first in a trilogy, it probably WON'T, but I'd like to have it ready to share. My agent is only my agent for the Cozy, but I'd like to have HER feedback on a clean version... Then I will clean something ELSE in January for ABNA. I will have to evaluate what is closest to ready... but I just have WAY to large an editing pile to not commit to some of this ASAP.





REALISM



The funny thing is, when I looked at my plan, it seemed DOABLE! How the heck is a book mostly editable in less than 2 weeks? But I think it is, between having that picky round already done and the time sitting, I really think I can DO THIS!!!!



WAHOO!



[Note: cover was designed by Joris Ammerlaan, my go-to graphics guy (as was the diva below)]





Lucius in Lingerie



So besides being insane for editing... (which I don't want ANY of you to mistake for LOVE), I also have a thing for very bad boys. It is because I ultimately believe nobody is ALL bad, especially someone who LOOKS so GOOD in a corset and garter.





Laughing Llamas



You had no clue how deep my lurve for things beginning with L went, did you? My llama love originate with Ralph the Wonder Llama and the 10,000 Mexican Whooping Llamas that were featured in Monty Python and the Holy Grail.



So there you have it. Now you're loony too.

Taking Control!

Erm... Sort of.



It's funny how EVERYTHING is going along fine or EVERYTHING stinks, innit? [excuse me—I may borrow a little Taff here and there, as my friend Tara seems to be radiating...]   I mean for a while it's all hunky dory, then suddenly the will power is SHOT and you aren't writing, you aren't eating right, you aren't organized... sorry if I'm projecting here, but to me it seems like life is either relatively IN control, or TOTALLY out of control.



I blogged earlier this week about the 'funk'... a general malaise that was affecting my writing and my mood... well I think it ALSO was affecting the EATING, though last Saturday I pulled THOSE reins in (a full four days before pulling in the writing reins)... and you know what?



THE TART IS IN CONTROL AGAIN!



This week I remembered some things about doing what I need to do. The first is that, corporate giant or not, Nike has something with Just Do It. Just write. Just exercise. Just eat write. Just SKIP the whiny baby feel sorry for myself snacking... Just DO IT.



And it worked.



The writing pulled me out of the funk, and the eating right edged me off the plateau... no not a REAL plateau, because I was there because of not doing what I needed to, but I'd been there for pretty much six weeks. THIS WEEK, my highest weight was my weigh in last week. Before this, I had dropped below that, but only for a day at a time. Now it's solid. Weigh in this morning was only down half a pound, but DOWN, and this is the highest since last Saturday, so I think it is a fluky UP instead of a 'didn't really lose'--if you know what I mean.





Logline Contest



And so... as I stumbled around yesterday, I ran across this logline contest for a novel at the Time Guardian Blog...



Nathan Bransford, Quinetessential Boy Toy of the Agent world... okay, so he is probably also a utility model, but he's so darned CUTE... has suggested ALL OF US need to have three hooks in the form of ONE SENTENCE, ONE PARAGRAPH and TWO PARAGRAPH versions, so if we ever have an agent's undivided attention (say in the elevator), we are ready to pitch. Bryan (blog author and contest head) suggests the one sentence is ALSO what you want for when people ask about your BOOK—MOST are only asking to be polite, but it is STILL a chance to reel them in--if you're quick about it. So in one sentence, how would you describe your book? It's a handy exercise, so I thought I'd play.



I should probably give credit where due here, too. I ran across Bryan through Roland, who also has a GREAT blog... for all that full disclosure stuff... but anyway... I thought I'd give a shot at my sentence (we are allowed up to five because then we can get feedback on what works and doesn't).



So... if I might ask you to check out MY options and the other entrant options, and give some OPINIONS (I KNOW you have tons of THOSE)... Now these are off the cuff—not polished or worked on... just me trying to think of the different ways I start off describing my book... but feedback HELPS! You know how hard it is for me to get to the point!





1)Legacy begins with a young boy witnessing his father's murder and a young girl escaping her mother's drug dealer, and goes on to show what happens when children are left holding the explosive pieces of their parents' legacies.


2)It's about three families connected through a circle of thieves who are stealing art from Romania and selling it on the black market in the U.S.


3)It's about four kids: a runaway who is escaping an addicted mom and a trio whose mother was abducted and father murdered; they realize their families have always been entangled as they help each other stay safe.


4)Legacy is about what happens to children when they are left holding the explosive pieces of their parents' lives.


5)Legacy is about art thieves, runaways, drug addiction, and abduction, but mostly it is about what happens to children when they are left holding the explosive pieces of their parents' lives.


So there we have them... off the cuff a little, but my starting place, so worth the exercise, I think...





And THIS JUST IN



I've got a list of NINE (in addition to the Burrow who will be about that) wanting to participate in BuNoWriMo in June... let me know if you're in so I can makes sure you get all the info you need to join us! Writing a BOOK in June! WAHOO! (then you have all summer to polish for the September Query rush, because I hear MANY agents are just plain unavailable in July and August anyway, yeah? So what better timing?!

Schrödinger's Cat

I told you I'd been thinking about Schrödinger's Cat. I wasn't lying—I wouldn't lie to you! It's actually a sort of apt application, too, though FIRST: SOMETHING COMPLETELY DIFFERENT!





I've drawn the winner from the giveaway last week and I'd like to congratualate Alica (Fire & Ice)! The light and journal are on their way!





And back to the story of the day...  erm... in a minute...



I think another explanation for my stress lately is the uncertainty of what the next few months will hold. It is this or that, and I won't know until I know... Let me e'splain...



To start off... feeling much better now... Why?



I have Powered Through



The Tart is in STREAM ROLLER form! Obstacles BAHAHA! You're NOTHING! Waiting? POO! I have all the time in the world! Editing? PISH! You don't scare me! I am WRITING!



I think I have all of you to thank for returning my attitude, and this Cracker song, my favorite of theirs, says it fairly perfectly:



I See The Light by Cracker



I'd really like to see you now

In your father's combat boots

I'd really like to be with you

'Cause we could be so dark





It was only for the grace of you

That I got this attitude

I'll show you my gratitude

When I make it through





I see the light at the end of the tunnel now

(I see the light)

Someone please tell me it's not a train

(Train, I see the light)

I see the light at the end of the tunnel now

(I see the light)

No time to speak, no time to explain





Sometimes I imagine you lying in your bed

Sometimes do you imagine too?

Do you sometimes lust

For the grace that others have inside?





The simple peace they make with life

They feel love like some summer's night

Well, I want it too



chorus chorus, blah blah blah (it doesn't really say chorus chorus blah blah blah, you know... it has more words, but they are mostly words already there... *deadpans*)







I love the idea of lusting for the grace that others have inside, the simple peace they make of life. Isn't that a lovely idea? It's like a big sexy Buddha or something.



And in case you're wondering what kind of twist I've gone around, I am practicing SELF TALK. So there... getting all philosophical and stuff... But the way I figure it, you guys REALLY helped pull me up day before yesterday.



Side Assistance



I've also been First Reading my way through some stuff for friends of mine and LOVE the process. When I do that, I become more objective in MY stuff. I notice things that aren't quite right—things about pacing or tension that I have a hard time spotting in my oh-so-familiar manuscripts, but coming back after the more objective read gives me distance.



I also also (yes, two alsos) took Jan's advice... hmmm... how to distinguish the Jans.... both Canadian, both tarts in their way... though I suppose only the one is OFFICIALLY a tart... Maybe I should go with province... Nova Scotia Jan wrote herself a letter of edits to make in the future... THAT allows you to stop worrying about it NOW because you won't forget (or stress about forgetting)... I adopted it and wrote... okay, so my version was more like a list... but it DID help to write it down... release the tension of this 'at some future date' editing project.





So where is the damn cat?



It's coming. You see, I have a PLAN! (a plan you say? I see some of you running away screaming. I know there are some pantsers out there, but I can't abide by pants. I need a PLAN) [never mind that I rarely follow said plan; it still makes me feel better to make one]





THE PLAN



1)  I have two ideas looming, but you KNOW my theory about stewing, yes? The ideas need to stew before they are properly fermented (because who wants to tell a sober tale, ne?) BUT writing SCENES before they are fully fermented actually HELPS this process. I am okay with the fact that these scenes are never recognizable in the final project. They still help me get to know my characters. So until I hear about the cozy (the answer of which is my Cat), I am writing SCENES.



2)  When I HEAR about the Cozy Gig, I reach the point where I know whether the cat is ALIVE (I get the gig) or dead (I don't get the gig). (see how it fits? I won't know whether it's alive or dead until... I find out. Until then, both the alive and the dead exist and I have to plan for them! *snort *)

*   If I GET the gig, I then write the cozy

*   If I DON'T get the gig, I then EDIT LEGACY until June 1



3)  (We're still on Schrodinger's cat—two versions, equally real (or unreal). Because until you know, you never know, eh?) But on BOTH FORKS, as of JUNE 1, the Burrow is doing a NoWriMo (BuNoWriMo)--and you are WELCOME to join us. Our reasoning is that November is a baddish month for anyone educationally affiliated (which is about half of my group if you count students, teachers and other academics)

*   So if I GET the gig, I am going to madly write the book I am SUPPOSED to be writing

*   If I DON'T get the gig, I am going to write the ghost story that is currently stewing.



4)  In JULY I edit. No matter what. The Cozy or Legacy. Then, whichever one goes to FIRST readers, and we get back to being cats.

*   In presence of Cozy, Legacy will be 2nd editing project.

*   In absence of Cozy, Deniability will be 2nd editing project.



5)August I get reader feedback and finalize whichever one is the next polished work for a September send out.



Probably that is as far as I oughta plan...

Cinco de Monsters

I was going to do the Primal Scream Blogfest hosted by the FABULOUS Raquel Byrnes [http://nitewriter6.blogspot.com/], then I forgot and didn't get my post edited, then the FOMS kicked in, so I'm doing it anyway. In my world the monsters aren't... monsters exactly. They are adults who do horrible thing that have implications for this children. This chapter is my first draft, first chapter of Legacy, so please only judge it as that—a first draft. Chapter 2 is scarier, but it is definitely rated R instead of PG-13, so I felt this was more appropriate.



With only a little more ado *snort* (I just like saying that, though there IS other business...)



ADO: I will be at a CONFERENCE Thursday through Saturday. I have blogs scheduled, but will NOT really be able to read or comment, and will only be able to check in HERE a little. I apologize and will MISS you. I still hold it your SACRED duty however, to practice Hooray, Hooray, the 8th of May in just 3 days time. (will tell you all about it Friday.)



ADO: OVER



*******************



Chapter 1



When the wood splintered, Kade grabbed Peter's arm, tension visible in his stature. “I'm getting Tasha. If she makes a noise, we're all in trouble, but we need to know what's happening. You know what to do.”



Peter nodded resolutely and went in his closet, deftly climbing the shelves to the side, and pushing his way into the attic. He was careful to put the hatch back in place so it wouldn't give them away.



This was the hard part. He had to edge along the cross beams in the dark, without stepping down into the insulation, or he risked falling through the ceiling. He knew he was less likely to than Kade. He was only nine, after all, and weighed sixty-two pounds last they checked, but it still wasn't a chance he could take. If this was really what their father had been warning them about, it was too dangerous.



He only had to go about thirty feet before he came to what appeared to be the end of the attic, appear, being the critical word. He slid a piece of paneling along a runner that was buried in the insulation. It was silent. His father had seen to that as soon as his mother had lost touch with her family. He tucked through the opening and closed it again.



There, where they'd been left, were flashlights and soft slippers. The slippers were a redundant precaution, because the entire area was carpeted. Effectively, it was a small apartment, equipped with a kitchenette, bathroom, and two double beds. Shelves were stocked with food to last months.



Peter didn't know anything about why it was there. In fact if someone had asked him, he would have expressed that everyone had a hiding room and it was normal. He did know though, that needing to come live in here meant things were really, really bad. What he had to find out was if things were that bad now.



At the edge of the room was the top of a strong wooden ladder that was built onto the wall. Around the hole was a rail, but near the ladder it was easy to climb under. He climbed down it, and below, came to another, much smaller room. The root cellar of the house opened to the room, the main house, and to the outside, something left from when the lot was seriously farmed. It also had his current destination—access to the home's ventilation ducts on the side of the house with his parents' room.



He knew Kade felt very uncomfortable crawling in them, but Kade was fourteen and tall. Peter was small enough that he could crawl comfortably. He only had to be careful not to bang anything, as the metal echoed, and he might be heard from anywhere in the house.



He reached his destination, his parents' bedroom, quickly. Two intruders were turning everything over.

“He has to be here!” The man talked funny—the same kind of funny as his dad talked, only more. He knew his dad talked that way because his dad grew up in Romania.



“His car is here. Keep looking. Balto will make sure he doesn't leave through either door. We just need to search!” The other man didn't have the same funny accent.



The accented man opened the closet, “Demitri, my friend! This is no welcome!”



He was punched in the head, but the accented man was able to recover and pull Peter's father out of the closet.



“Why is the house empty?”



“You should know!”



His father was hit again and Peter had to bite the inside of his cheek to keep from whimpering. He thought his father had only hidden to give him time to get there. He had to see and hear everything.



“Where are your children?”



“Madeline took them to her sister's before she left.” Peter hated that his father sounded hurt.



“Liar!” He was punched again.



“What the hell are you talking about?”



Peter thought his father was fairly convincing, considering he knew they weren't at Aunt Sarah's.



“What the hell do you want with my kids, anyway?” Demitri sounded outraged.



“They would have been nice... as leverage... but mostly we need to make sure there are no witnesses.” The man with no accent flipped Demitri onto his stomach and pointed a gun at the back of his head. Time stood still as Peter watched his father's head fly apart, his ears left near deaf from the crack of the gun.



He squeezed his eyes shut, willing it not to be true, and then he opened them again. He could barely see through the tears that filled his eyes, but his father had trained him well... not a sound.



The intruders looked around some more, behind pictures, in drawers—like they were looking for treasures, or a safe. Peter buried his head between his arms. He let his eyes and nose run, managing not to sob or sniff for what seemed an eternity as the men finished their business. Then he backed slowly out of the vent, into the cubby with the root cellar. There he sat in a ball and whimpered quietly.



#



When he finally felt he could manage it, Peter climbed the ladder. Kade looked at him grimly; a small lantern sat on the table casting their faces in dark shadows and yellow light.



“Was that what it sounded like?”



Peter finally let out a sniff and broke into tears.



Kade was already on a bed, holding his arms around Tasha. Her face was hidden in her older brother's chest, her arms over her ears. Kade held his other arm out to Peter and Peter gladly curled up on Kade's other side.

Kade held his siblings, his chest heaving occasionally. Peter recognized it as a trick to try not to cry.



He'd never been so scared in his life.



#



The lantern sputtered and instead of turning the wick up, Kade turned it down, so the trio settled into darkness.



“Kade? Tell me how momma and daddy met.” Tasha was two years older than Peter, but she seemed younger in a lot of ways. Peter didn't really understand it. She knew a lot of stuff, but she was really uncomfortable around people, and got scared really easily. Their dad called her his genius because she was so good with numbers, even in her head, but she could only go to a special school with tiny classrooms. That's why their parents taught them a lot at home. She loved stories though. Even though she didn't like real life interactions outside her family, she loved to hear about them. And stories about their parents were her favorite.



“Grandpa was an ambassador,” Kade began. “Mom went to Stanford and majored in art history and languages. She speaks Russian, Czechoslovakian, Romanian, and Greek. When she finished college she went to Romania to live with grandpa because grandma had died and she thought he was lonely. She worked at the University of Bucharest in the library. That was where she met dad. He was a professor. She helped grandpa though, too, because of the languages, she knew she could change the wording to suit culture, so the person wouldn't offend other people. When grandpa had a stroke, she stepped in to help him, and when grandpa died, they made her ambassador.”



Tasha let out a contented purr and laid back on a pillow to hear some more.



“Father taught literature, and was an expert in all the books Romanians were allowed to read. He was instantly smitten with mom. Smitten means he thought she was really smart and very pretty. She learned really soon though, that he was also extremely interested in western literature.”



“So they started seeing each other, but because mom was American, some old geezer Romanian guy always had to go with. I guess it was because dad wasn't trusted on their list or something. But finally dad proposed. It was a big shock to all those Romanians when after the wedding he declared they were coming to America to live.”



Peter grinned. He liked the story, too, even if it was sort of romantic. He liked that his parents were smart and had pulled something over on a government of some faraway place.



He heard Tasha's soft snore and in a way he felt relieved to have her asleep. Now he could relay what he'd seen and heard to Kade and not have to carry the burden alone anymore.



Kade put a big book on it's side, open, so that he could shield Tasha from the lantern he lit. Then he sat with a note pad and had Peter go over everything he saw and heard three times. Peter was patient, even though it was terrible. Their father had said some details you don't remember until you get to the third repetition, and it was true. Peter hadn't remembered noticing that the men had different accents—that one was Romanian like their dad and the other was probably American, until the third telling.



“You did good, Peter. I'm sure that was awful.” Peter frowned. He wasn't used to his brother being so calm and nice to him, but he supposed until their mom got home, maybe Kade felt like he had to act like a parent. He just blinked and nodded. He didn't want to talk about it any more.



“What are we gunna do, Kade?”



“For now, wait. Remember dad said people might be watching. They don't know we're in here, but they might think we got out and are coming back. Until somebody comes to get dad at least, we just have to hide.

Peter sighed. He knew the words. He'd just never thought about what they all meant before. “We can't go outside at all?”



“Not until we're sure nobody is coming.”



“What if someone's here now?”



“In the morning, before we use any water or anything, I'll need you to crawl all the vents and make sure. I'm pretty sure they left, and we get that ding up there if the door's open. The alarm will go if the windows open.

“The front door is broken.”.



“Oh, right. Well at least that means they'll probably find dad sooner. Nobody who drives up and sees that will think we just aren't home and leave. He gets company every couple of days.”



That was true, but Peter didn't like having to crawl in the tunnels each time they needed water.



As if reading his mind Kade said, “You'll check in the morning, we'll pour a huge bucket, then you'll check at night so we can flush and stuff. It's just for a few days.”



“But Kade?”



“Yeah?”



“Dad's gone.”



“I know.” Kade looked deeply sad. “It's my job though, to make sure you and Tasha and I stay safe until mom gets home, so we just have to be tough for now, okay?”



Peter nodded, resigned.



*******



I should note that SINCE this was written, I've had several conversations with a friend who lived in Romania around this time (the story is in the 80s) and it wasn't as closed as I'd thought when this was written, so there is some editing to the back-story that is told, in addition to the NORMAL cleaning... just wanted you to know the research was progressing *winks*

The Plan

Wait... what plan? Was I supposed to make that?



I always go through life largely flying by the seat of my pantslessness, but it is rare when I am trying to keep so many balls in the air at the same time, and I AM NOT A CLOWN. (though I DO have a really good clown FACE (though not like that scary clown *shivers*) if you ever meet me in person and want to see—but I digress). I have rather infamous (among my immediate family) tunnel vision and really only do one thing at a time, so this whole multi-tasking thing has me a little flummoxed.



So let me describe my balls *cough*



The Cozy Mystery Ball



Say! That sounds like a REALLY fun party! I ought to have one! But at the moment what I mean is this... Four FABULOUS members of the WORLD'S BEST writer's group gave me feedback on my Cozy chapters revision—one sent a series of suggestions on Saturday that I am keeping in mind—all more general. THREE sent line revisions and questions in the form of track changes... so I spent... maybe two hours yesterday going paragraph by paragraph, looking at all four versions (their three, plus MY hard copy that I'd made notes for other the other suggestions, plus a 'sentence simplification' that was more general feedback from one who ALSO sent the line-edits) SLOW going.



I DID learn some things about British English versus American English (Natasha and Tara both learned BE, living in India and Wales respectively) and some things about colloquialisms. A few times they cracked me up when more than one would point at the same thing. Tara kept me motivated by snorting. I always like a good snort. And at the moment I feel like chapters 1 and 2 are SIGNIFICANTLY clearer, better, cleaner, than they were this time yesterday. I still have 3 and 4 to get through this way, then a final polish, before sending the chapters back to MY AGENT on Wednesday night (or such is the plan).





The Legacy Query Ball



I know, right? Who would want to go? I hear it is entirely clothes dug out of rejection bins at second hand stores, and food salvaged from the McDonald's 'over time' can.



Legacy is my completed novel next on my revision list. I didn't want to start REVISIONS because if I get the cozy gig, it would interrupt, which I find counter productive. So I thought, HEY, I'll write the QUERY. You've already heard me whine here... I can't write a query to save my life. Ive had five different ABNA friends give me some VERY helpful feedback (I love these guys), but unlike the writing, where I can SEE the improvement, because I KNOW what I am looking for—I have a harder time identifying better versus worse on the query. I actually maybe ought to put on my copywriter's hat from YEARS ago, though I remember there was a reason I actually ended up working in account service rather than copywriting... you know... the hard time getting to the point thing...





The CONFLUENCE First Chapter Ball



I have a REALLY COOL think happening here. I'm VERY excited. Chimera Critiques gives away a chapter critique every so often, and I have WON one! http://chimeracritiques.com/ They are going to review my first chapter of CONFLUENCE and tell me where I am missing the boat, because honestly, I think I must be... I think I need to dive in faster, but for the life of me, can't figure out how. So I encourage YOU to go check them out, and I will report back after the (hopefully not horribly painful) feedback I get from THEM. But then I will know what to do... and I will be obliged to FIX IT. *sigh *





Bouncing Balls



Deniability still looms...  Needs blanks filled in.

Illusions needs typing...  *sigh*

Guest Bloggers are waiting for SERVICE... which I don't mind providing, but it stresses me out a little to be responsible to anyone else. Harder to wing it when I'm playing with somebody ELSE'S balls. *cough*



And then I have the two NEW books that keep pestering me... the ghost story and the Armageddon one... the former would be a delve int YA, and is more solid in my head—that said, that also makes it PERFECT for a NaNo book, where the Armageddon is tricky and complicated (and fairly delicious)-so a far bigger commitment—CONFLUENCE complicated... (though hopefully I've learned enough that it wouldn't take me 2.5 years to write this time)





And finally... because I've had so much time on my hands... I've made the request and been added to the Urban Dictionary... as the Watery Tart, of course... They said it might take a few days, but I figure at that point, I can officially claim I'm famous *snort*  Girl's gotta have priorities, I figure...

Queriversary

One year ago I began my attempts at getting CONFLUENCE published. I sent out seven query letters, opened my facebook AUTHOR profile, and started to think seriously about publishing. I was SURE I would find an agent, then a publisher in a matter of months, and worried what I would do for insurance, because obviously I would want to quit my day job and writer full time after I was offered some $50K for my book.



Oh, MAN, was I in for a series of shocks.



My seven queries led to six rejections and an echoing silence. One of those rejections came within half an hour (a woman I would STILL love for an agent—we are soul mates; I KNOW IT. I just wish she did, too, but apparently I am not communicating adequately...



So after I excitedly peed myself, sending these early queries, I met a woman, though a neighbor of mine, who is a local writer. I asked her to look at my query and she quickly spotted the sticking point.



-----> 200,000 words.



Did you see it, or was it too subtle for you? Never mind that I happen to prefer my books upward of 500 page. Apparently debut authors have about the probability of a snowballs chance in HELL of publishing that long a book. I quietly stuffed the knowledge that one of the successful people at this, Elizabeth Kostova, shares my city limits. It doesn't happen to REAL PEOPLE. Because HONESTLY, The Historian hit that Vampire wave before it really even started, so someone with LITERARY fiction skills (and I say that in both the positive and the negative—The Historian was a GREAT book, and VERY dense, in my opinion—I have a hard time believing all the Americans who bought it were actually capable of reading it *cough* Sorry—snob moment there). So my cult of nuts isn't apparently the next vampire wave... No 200K book for me.





I spent the summer shortening the book, got it down to 150K and in August tried again. I sent fifteen, I think, ONE of which resulted in a request for 20 pages. Two got responses that were “no thanks we're not taking ANYBODY” (though websites had not said that)--I think I got 10 or 11 rejections and a few no response... hmph.





But near the end of August, when the queries were out, I went on my wild ride of writing LEGACY in just six weeks, then began ILLUSIONS, then took a brief break for NaNo and wrote DENIABILITY, then FINISHED ILLUSIONS in December... in 4 months I wrote 3 books. None of them is yet POLISHED to querying point, but it is NUTS how fast that all went.



In December and January, I then turned to a further polish of CONFLUENCE so I could enter the Amazon contest (had to be under 150K)--and got it down to 137K. In January I queried once again. THIS TIME, I had three interactions where agents wanted to see more, one of them 75 pages. It was a MUCH better ratio. But I have decided since that time, that while I love CONFLUENCE, I think it is really complex enough that it is a hard sell as a first book. It is the kind of book someone will say is their favorite one day, but it is too hard to describe to get a reader to pick up when they've never heard of me. I want to sell (maybe two) other books of mine before trying with CONFLUENCE again. I want an established success record.



So on this queriversary, I want YOUR opinion on which book I should polish first. The following descriptions are not polished pitches—that will come and will take time, but I would love to hear where you think I would be best off dedicating my next round of editing time.





LEGACY: Nine year old Peter hides and watches as his father is executed by invaders. Thirteen year old Athena narrowly escapes the drug dealer her mother has traded her to for a heroine high. Peter and his siblings hide in the attic of their family home as Athena takes to the streets of Portland. A chance meeting at Pioneer Square brings these children together, only to find that the Legacies they've inherited from their parents are intertwined and include spying, smuggling, and the politics of a country on the other side of the world. They decide unraveling this legacy is the only way to shake off the criminals who are now after them, and might lead the Popescu children to their missing mother. Sometimes though, you get more answers than you've bargained for. (this is the first of my trilogy)





DENIABILITY: Liza Dahlmer works for a super secret branch of the CIA charged with keeping operatives paranoid by exposing their vulnerabilities. She is a Watcher.. She tracks, photographs, steals from, and entraps the best and the brightest in American intelligence. Unfortunately, nobody knows—and she's not telling. When she is arrested for murder and taken before the intelligence committee to determine where she ought to be tried, she has nothing to say for herself, but psychiatrist, Philip Landauer believes there is more to the story. He begins an investigation, sometimes with Liza's cooperation, though usually without, as she is convinced her life will end if he unravels the wrong thread. The two play a game, he determined to save her, she determined to just go to prison and bide her time, until the powers that be decide she has shared anyway, and the two have to run for her life. This psychological thriller explores how nothing is ever really buried for good, and how sometimes the best way to get away, is to confront the thing you are running from.





For the former, I've been reading art theft tales. For the latter, I've been watching back episodes of Alias and La Femme Nikita. I think I am ready to dive into the next iteration of either one, but I'd LOVE to choose the one you think has the best shot of MAKING IT as a debut novel.



So THANK YOU for any help or insight you can give on where I ought to start! Happy Queriversary!

Naked and Waiting

And not the good kind.



Oh, I mean it is sort of the good kind, but not the guaranteed 'we're both gunna love this' good kind, and CERTAINLY not the lying relaxed with a fruity rum drink good kind.



You see... I sent out my latest book to first readers this week (I can't believe a year ago I'd never even heard the TERM first readers!). And it's a little different than my first time.







CONFLUENCE and the Burrow: A History



When I was adopted into the Burrow, I was the 4th member, and we quickly grew by... maybe 3 more... and then hovered a while. At the time I joined, I had written a few stand-alone scenes for CONFLUENCE, and what was THEN my first chapter (later chapter 2). By the time we had enough people that we were really talking about REVIEWING each other's stuff, I think I was 4 chapters in. We shared single chapters (even just pages—snippets). I shared my first and was told they liked it but it jumped in too fast—helpful... it led to the writing of the first.



My point though (yes, I have one) is that I revealed myself a little at a time. They got to know and love my characters—were invested, before the big stuff... I think I did my first nine chapters one at a time like that, before I felt guilty that I was an attention hog and felt like I should just write the darned thing—finish it, and they could see the rest.



It was like a first time relationship where you reveal a little at a time. You know how you feel about each other before you get naked.



Oh, I showed CONFLUENCE to people who hadn't had the ease in—a friend from college, a high school teacher who actually was my vision for one of the characters—and it was wonderful—my friend in particular had fresh eyes and good feedback—she is one of those voracious readers, so I think her instincts were good.



But I also sent it out a couple times into silence... no response. *birds chirping * I'm not a person to bug someone, but I DO tend to assume if I hear nothing that means a person either couldn't be bothered to REALLY read it, or they didn't like it. My mother, I assume, got stuck on the F word in chapter one and set it aside. She never said boo. At least my writer's group TELLS ME WHY if life gets in the way, but these couple voids are a little intimidating.







So Here We Go



The only person who has seen ANY of LEGACY is Mari—when she visited in October, she read the first six chapters because that was what was typed. But she is mid-thesis at the moment, and with CONFLUENCE she provided AMAZING feedback about pacing, which is a later thing to edit for anyway, so she isn't a first reader this time around—she will get the rewrite—better timing for her, critically important for me.



So four Burrowers have gotten it, and two personal friends—one Burrower may wait for the rewrite, since five is probably a good number for first read...



But it definitely leaves me feeling NAKED in a very different way than the one I advocate... In fact maybe my nudist tendencies have always been that the physical was only important so far as enjoying life goes—the mental plane is where my identity is really invested.  It's far harder to leave the product of my mind out there naked as a jay bird.

Plot Masters

I don't have nearly as much time to read as I used to, largely because part of the time I used to read, I now devote to writing, so the reading comes on my commutes and in five minutes bursts here and there when for some reason I have a span of just a few minutes to kill, but I find I am reading much differently these days than I used to. Maybe it is that I now have four books under my... erm... lack of belt [a belt is only an accessory, so theoretically I COULD wear one, but they are really better left to strapping my muse's hands together so I can tickle a plot out of him... bondage is all they are good for, after all].



I'm watching movies differently too. I find I am appreciating truly masterful storytelling in a more... technical way.



So what is this metamorphosis we go through as we finally get our writing legs? And does this process happen to all writers? Or have some of y'all always BEEN plot masters?





Character Fetish



See, I've historically been all about character. I wanted character growth, and character experiences, and experience BY CHARACTERS of irony... but it was always about the people meandering through my stories. I really don't want to lose that, because I still love books that do that well. But perhaps I can do more than one thing well... I can hope.





Iain Pears



Under recommendation of two fellow Burrowers, when I asked for books about art thief stuff, I heard about a series by Iain Pears... Now NOTHING is more plot intensive than mystery. And Pears' books are shortish... I like his characters fine, but they aren't terribly complicated or developed, but I still find myself enjoying the books (and the Rafael Affair taught me about Icon forgery, which will be VERY useful in my rewrite of Illusions (book 2 of the trilogy)). I like the way sometimes a bad day leads to an unexpected coup. I like the way vices provide alibis. I like a bumbler or two.







My Reading to Replot



I am rereading LEGACY and finding my characters a little too competent... they're kids... I really ought to give them a little rougher time in solving things... (though frankly, I think writing it without and then adding those in is probably the more expedient route—so I didn't lose track of the story and all).



I have also spotted a dozen details I'd intended to be important or come up later, and CONSPIRACY, as I wrote the first 10 chapters completely missed that... it was my detour, methinks... writing DENIABILITY... though ANY long story is bound to have those. CONFLUENCE did, and it was a single book... The only books that don't have them, I think, are those written in a mad frenzy where the plot all sits in your head... that has happened to me ONCE, and I know it only happened because the book (LEGACY) was a PREquel to a book I'd been plotting for months.



I find I like this process though... reading to write the plot of the later books... only trouble is, I'm catching up with what has been typed. Making corrections and changes to the hand-written is probably going to be more difficult... need to find my red pen... the green might do...





To Loop Back Around...



So I am curious about the process by which the rest of you have developed... Did anyone else go through this plot epiphany, or was plot originally your strength and it is the other stuff that comes later? I'd love to hear how abnormal I am *snort*.

Six Writing Tasks

On the sixth day of Christmas her Tartness gave to us...





Six Writing Tasks





Five Sii---illy Songs

Four Cross-Dressed

Three Christmas Lists

Two Tartlet Minis

And a Boy Toy on a Hay Bale





These are the things I REALLY hope to accomplish in the next six weeks, ideally, at least three of them this year... (the ones I've colored red)





Polish job on CONFLUENCE finished





I am on chapter 17 and there are 31... it is slow, but so far I am ACTUALLY under 150K now instead of just close enough to 150 to CALL it that. And I think my recent rounds of 'first reading' for friends have helped me be more objective about, though a couple times I've deleted things and a couple paragraphs later thought “damn! I needed that!” and had to do a bunch of 'undoing'...4









Redo BEGINNING of CONFLUENCE



I've solidly decided now, 23 queries in, that my problem is that I don't dive in fast enough for this finicky market—Agents want sure things and that means not scaring off short-attention-spanned readers. I feel like the book is solid, great reading, but a person isn't truly in until about chapter 3... needs some work. This is slated for one on my days vacation after Christmas (the University gives us 4 'season days' between Christmas and New Year, so I will be off from the 24th until the 4th *and there was much rejoicing *)



Once this is done, I plan to ALSO send out maybe a dozen queries in early January. If there is no response, I MAY (or may not) enter the Amazon contest.





Finish Typing LEGACY





Legacy is the first in my Trilogy. It was written long-hand (naked, in the bathtub—duh!) and so typing it is the first editing round for me. I am currently on Chapter 19 of 30 (ideally I'd get done by Christmas so I can send the rest to Mari, who read the first 6 chapters when she was HERE).









Research and RePlot some of Trilogy so I can easily FINISH CONSPIRACY



I say this because I have a number of places noted that I know I need MORE. Much of the book happens in Romania, where I haven't ever BEEN, but I have a friend who HAS (in fact lived there in the era I am writing from) so I need to formulate a list of intelligent questions and get them fired off while said friend is on break—a teacher, so I believe NOW is when I need to do that). I ALSO need to do some research on ART as there is an art theft ring central to the trilogy—Romania being rather possessive of its cultural heritage, therefore increasing the black market value of things that get OUT—I've GOT that part. What I NEED is to know a little more about the world of how art is actually displayed and traded.



Finish Writing CONSPIRACY, the Third Book



I am two chapters into my third book here, so the PLOTTING is a December task, but the writing should probably take all of January to finish.







Fill in Holes for my NaNoWriMo Novel



I've printed it up to READ it, but there is some writing missing (the kind of writing that needs to be done naked). See, because I didn't want to drop the Trilogy in November, I kept working on IT in the tub, and gave away all computer time to actually writing the first thing I've ever directly typed (well... that got done anyway, and aside from some short stories). What that means is it is a little flat on emotion, and most of the THERAPY (I've mentioned conspiracy thriller meets Prince of Tides, yes?) needs much more emotional pull. I have a ton of spots that have what KIND of thing should go there, but not the details because I just couldn't get them out AND finish the book in November. Getting naked should help though. It always does.





Special note of thanks to Joris Amerlaan for all my book covers. He is a FABULOUS friend who has helped me out many times (including yesterday's princess Lucius), but these are all impressive and I love them, so thank you!

'Tis the Season



Oh yeah, I know about the holidays, shopping, baking, decorating, yadda yadda, yadda… but I am talking about IN BOOKS.



You see, I think from my years of reading to my children, I’ve somehow internalized that a book ought to start in the summer, dive into the action in the fall, and go from there.



The problem? I get about 600 pages into my story, it is Christmas time, and all hell is breaking loose. It’s happening again. I’m beginning to wonder if I have some morbid association between violence and Christmas, or whether I’ve internalized the Potterverse so much that I think every final climax ought to happen on Snape’s birthday (January 9, for the uninformed).





Academically Grounded Characters



Harry Potter and Percy Jackson (my two favorite youth series) both have book cycles of the academic year.



When I first began writing CONFLUENCE with an Academic Main Character recruited to a new location, there wasn’t even a different ‘starting time’ I considered. Of COURSE you move for the new academic year. I have one recruitment chapter the spring before, and then start with the move in August.



With LEGACY the logic was a little more about the WHAT than the WHO. One strand… they spy thing… had no necessary timing, but when I had Athena run away from her drug addicted mom to live for months on the street, I wanted to ease her into it… I made it summer so it could be a little easy at first—fountains to clean in, outside all day, no worries about freezing… then a little harder when school starts and she has to stay out of sight during then day, then the progressing cold… I needed her to ‘stay a while’ and feel self sufficient, learn some things, THEN need to find help.



CONFLUENCE is a stand alone book—one giant plot, now 600 pages (nearly 800 as originally written). LEGACY is the first of a trilogy. As I finish the second book, which I’ve changed the name on by the way… currently calling it ILLUSIONS, I am 600 pages into one MAIN story that breaks nicely into 3 sub-stories, each of which stands alone and here we are… action is all going to wind up in January AGAIN.





Seasons in Adult Books



I know some of them HAVE them… it seems like most take place all within a season, or else only recognize this or that holiday. I don’t know if this convention is some rule I don’t know about and I’m breaking it badly?



So I guess I am asking all of YOU.



Do you know of books with an identifiable flow through time?

Do you know of advice that says ‘leave the calendar out of it?

How do you feel about books grounded in a season? Do you even notice?

Do you ever consider the flow of time in specifics? (month, year)

Familiar Territory

For a long time I thought I couldn’t write, that I lacked the imagination. I really could never write a whole separate world like the fantasy works I love so much. Creating something from scratch is just SO BIG. I have incredible admiration for those uber-creative types who can do it.



Eventually though, I learned to pull pieces of reality from different places and combine them in different ways… create something fresh from a reconfiguration of things we already know.



Location



My thoughts on this topic began with my NaNo project (now at 35K *YAY!*). My characters have just realized someone was trying to kill one of them and have gone on the run once again. I had them in Colorado because it just seemed like the kind of place that would have a psychiatric hospital not beholden to government forces (since part of what they’re running from is a government agency determined to keep her quiet)… guess Colorado wasn’t as secure as they thought though… so they’ve hitchhiked, and where do I send them? Idaho. You know WHY? Because I know nooks and crannies in Idaho that can give it a realistic feel without a ton of research, and NaNo doesn’t give me TIME for a ton of research. Going into familiar territory is a nice way to have at least ONE layer of the story be easy. [note the itsy bitsy teeny tiny red line that is the only highway from southern to northern Idaho… yeah, it’s mostly only two lanes, and that matters]



CONFLUENCE takes part in a fictional town (Clear Springs) which is a combination of Ann Arbor and Moscow, Idaho, though the surrounding geography is all Idaho panhandle, even though it is never called such. But because it was a fictional town, I had to make maps and decisions, and work hard to keep thing things I was saying consistent with some plan. LEGACY on the other hand, takes place in Portland, so that was EASY. I lived there for twelve years. I could use memory and real maps (plus a little google—for instance I had to change my timeframe by a few years because I use Pioneer Square which wasn’t completed until spring of 1984)



So here I am… using a location crutch to speed things along, since writing speed is fairly critical…





Plot



Some people borrow from real life for plot, whether it is news events they see, things that happened to people they know, or real life. My own real life, plotted as fiction, would yield a sort of angsty, oddly inspirational ‘Chick Lit,’ I think. My romances have been non-conventional and sometimes questionable (probably I couldn't pass as a heroine in most of them, anyway). My worldly experiences have been mostly frantically gleaned in an attempt to have a more interesting life. And my career has been scattered. I think the ONLY thing I have that is all that interesting is a scrappy perseverance… a stubbornness that survives, regardless of obstacles. But to write that story, I have to dish dirt on people I still care about, so it’s not happening, at least not until I can do it honestly, as a memoir, which means acquiring fame first.



I have another plot that is ALMOST mine I intend to write, but not while my aunts are still living. My grandfather had a very tragic life, considering he lived to 91, and the skeleton of the story is absolutely gripping--triple hanky stuff. The family dynamic though is difficult, and I will not be the person to make it more so. Another one for my golden years.



All those 'real life as plot' things though, have a limitation that is HUGE for somebody who wants a career as a writer... you only get to do it once.  Poof, bye bye, plot used...



What I LOVE to use real life for is details. I like small exchanges that give a sense that things really happened that way. They give an authenticity to scenes that would feel forced if a person used something similar but that was fictional. I’m not saying they can’t be altered to be more plot appropriate, but life offers some wonderful scenes.



Character





I think it is a rare writer who doesn’t put herself and people she knows into characters in bits and pieces… this trait or that one, even if it is subconcious. I think our own personalities feed into what we see as ‘good’ and ‘bad’ too. For instance I have a very difficult time writing a sympathetic drama queen. (Ironic, as my teenage heroine in CONFLUENCE is nicknamed Drama Queen, but that is about literal drama). But I just don’t have patience for that personality, sucking all the air out of the room. They make me tired and I could never finish a plot if I let one in. I just can’t yet be sympathetic enough… maybe one day… or maybe as a second…



But I see young writers, or writers early in their development, drawing whole characters that are themselves, or maybe themselves as they would like to be. I’ve never gone that far. I think I am too odd a bird and everyone would identify me for the nudist that I am. I also think it is only good for a book or two, and then the personalities need to shift up a little or people will read it as more of the same (maybe not in a series genre, like mysteries, though I prefer someone quirkier to be the M.C. in those than nearly anybody I’ve met).  Mostly though, it seems like life should be a cabinet of raw materials, mixed and matched in new and unexpected ways, rather than counting too heavily on the pre-made chocolate frog that really only has one good jump in it.



Note:  to the left is a link to Coffee Rings Everywhere.  I haven't read today's because I had a plan and didn't want to be influenced, but it looks to me as if my Thursday Twin and I are on the same brainwave... I hear that happens frequently with twins.  *winks at Natasha*

Operating on Osmosis

(Or Novice Networking)

.


I've been doing my Author Facebook profile for six months now. It was about the time I finished what I THOUGHT was my final edit of CONFLUENCE, and I started looking for ways to network. I don't remember the date I created the profile, but I do remember the process:



--> Google: search writer networking



I stumbled across, nearly instantly, Jessica Faust's blog entry on social networking (a few months old at the time) with the clear statement that SHE had two profiles: one agent, one personal, and that if people wanted to friend her agent profile, that was FINE. She also was very clear (and has been ever since, as are several other agents), “can't hurt to ask”.



So in that 'seat of the pantsless' way I do things, I created my author profile, invited my writer's group to friend me so I didn't appear to be a loser, then friended Jessica. Then I proceeded to scan HER friends and send friend requests to obvious authors.



How does one FIND obvious authors you ask... At first 1) by a book cover for a profile pic, or 2) a status related to writing or promoting a book. Easy peasy.



Beth Groundwater was the first author I really started tracking. She was preparing for a book tour and so had lots of guest blogs she was reporting and she was kind and responsive, so I also started scanning HER friends. I think that is where I found Elizabeth, though I may be misattributing (it IS what I do). And I've been following Elizabeth around ever since, mostly because she is so nice and gracious about it and seems to be doing all the right things.



Enter Blogging



I started blogging four months ago. Similar approach, but MUCH more work. Instead of pressing 'like' a lot and making a comment now and again, I had to both SAY SOMETHING (preferably something a little interesting, though I've had commentless days that I wonder...)AND (and this is the part you don't think about) spend quite a lot of time reading OTHER people's blogs and commenting (so THEY KNOW I'm reading)--PLUS, commenting on someone's blog who isn't one of YOUR followers often brings them seeking out YOUR blog. Initially I frantically invited tons of FB friends to follow, but anymore, I think most new followers are people I've read, commented on, and followed.



Now there are people worth following and reading you DON'T have to comment on. Nathan Bransford is not going to notice my comment from among the 400 OTHER comments (though I do tend to comment when he polls, being a good statistician and all). There just is an area of diminishing returns where... to comment, I feel obliged to read the OTHER comments to make sure I'm not just repeating a point, and is all THAT effort worth the miniscule possibility that somebody might notice my presence?



I guess my point is... I've made relatively good progress, probably because I have been following Elizabeth and she has such nice friends... Funny thing is though, I was the first of my writer's group really out of the gate with this networking thing... Natasha... erm... Rayna... had been blogging a long time, as had Jen, but I was the first one with a BOOK I was trying to sell, and so a reason to pester strangers into letting me wiggle my way in.



But now that the tart has tested the water, a few others have decided to join me. And guess what?! I'M A ROLE MODEL! *snort* But I find each of them brings something new. Mari has even been tracking down pantsless people for me *waves at Paul* to follow and I find instead of her borrowing MY friends and followers, I am now borrowing some of hers.



I guess what I'm saying REALLY is you don't have to know what you're doing. Dive in. follow. Feel around. It is sort of a squishy melding thing anyway, but if you put in a little effort, it seems to almost happen by accident... or osmosis...



NaNoWriMo



Breaking news! I know I dissed it as impossible for a working girl... and I am not actually under the illusion I could write a WHOLE book in a month... and the way I write isn't actually conducive (long-hand, typed later)... but I've decided to participate anyway. Say what? See, here's my thinking. Amped wordcount goals. Good. Meeting other writers frantically writing? Good. Finding people who LIVE IN MY TOWN writing? Good. [I'm very excited about this aspect actually—there are 650 writers from Ann Arbor signed up. I only know two other fiction writers here, one VERY cool—Colleen, you rock!, and the other I once suggested years of therapy for to the principal of a school where both our children attended... she won't want to be friends with me anyway though, if she even recognizes my name, but I know how to run from her... besides, we have VERY different genres] I can participate in the spirit of it (and Dani said I could)... What I figure I will DO is discuss the book I am WRITING for process, but share pieces of the one I am TYPING—it's all part of the same trilogy, and I never WAS one to follow the rules to the letter. I figure it's only cheating if I claim at the end I wrote something in a month or enter the contest, neither of which I plan on.



And so I will leave you with this thought from Chad Kroeger… my morning mantra, because it was the last song on my iPod on my Power Walk, and it seemed so appropriate to my current state of madness...



“We got no fear, do doubt, all in, balls out!”



Weeeeeeeeee! (he doesn't say that part... it is just my natural response to Chad Kroeger and adrenaline) Oh, Chad... kicking isn't the only thing I'd like to do...